Tuesday, 12 April 2011

Diary of a Dumpster Diva

          I am a scrounger. A scratcher-in-the-earth, a visitor of skips and kerb-side piles of hard rubbish. I like to pick through things: boxes of cards in thrift shops, piles of shells on the edge of the sea. I notice the individual colours in a dropped feather, or rose-coloured freckles on a fallen eucalyptus leaf. I delight in using things that other people have thrown away; odd glasses and china plates, the last surviving cup of a once-cherished set.
          For a couple of months last year I made daily trips to a skip I found at the back of the big Goodwill shop at the top of the hill. I was five months pregnant, just back from Jakarta, and I loved the early morning walk up Rosella Street, even when the mornings were cold and overcast. I breathed pristine air into my lungs, and marvelled at how clean and clear the sky was, and how sharply each tree stood out against the blue or grey. Magpies sang to each other, and sometimes a koala slept in a gum right above the road, safe and unconcerned about humans and cars.
          I slipped down the side of the Goodwill shop and stood on tiptoes to peer into the skip. If I saw anything interesting – and usually I did – I dragged out a little box that I’d stashed under the skip on an earlier visit, and stepped on it, then into the skip. I found so many good things that I took home and washed, and which are still in use in my house – clothes, picture-frames, books, cutlery, art materials, bags. They were all things that had been looked over by Jan and Jan at Goodwill and deemed unsellable for one reason or another. On weekends boxes and bags were often left on the pavement outside the donation bin, and if it had rained and things had gotten wet they had to be thrown out. I feel a little thrum of pride when I drink my tea from a cup that would otherwise be landfill by now.
          As the baby got bigger it got harder for me to climb into the skip. One day I put my foot through a small pane of glass and scratched it, so after that I wore socks and shoes. Another day I stood on a bucket, thinking it would hold my weight, and it shattered under me. I fell sideways into the skip and hurt my hand, and my foot was bruised too. I gave myself a bit of a fright, too. After that I wore gardening gloves to protect my hands from broken glass and sharp bits of wood or metal.
          If I had a successful scrounge then the next challenge I faced was carrying my loot home. The short walk became an exhausting ordeal – I puffed and groaned under the weight of the  bags dangling off my shoulders and hands, and the growing baby in my womb. Eventually winter set in, and I became very short of breath as the baby pushed my heart sideways, and squashed my stomach up against my lungs, making room for herself. I stopped visiting the skip. I thought about it though, and planned to go back there once the baby was born. After almost a year I finally made my way down to the skip to find it locked and chained. Now all its treasures are carried away and dumped in the ground. What a tragic waste.

          One rainy Sunday morning in July I convinced Paul to drive me up to the Goodwill skip so that I could load my scroungings into the car for once, instead of trying to lug them home. The skip was nearly full and there were some big things that I needed help with, like an entire formica-ware dinner set. I was already in the skip when a lady came down to throw more things in. She wasn’t Jan or Jan but a part-time volunteer I hadn’t had much to do with.
          ‘What are you doing in there?’ she asked, scowling.
‘I’m dumpster-diving,’ I replied.
‘You’re what?’
‘Dumpster-diving.’
‘There’s broken glass in there, and you’re not even wearing covered shoes!’
Paul hovered in the background. The woman rounded on him.
          “And what are you doing? Are you taking things too?’
‘No,’ said Paul. ‘I’m just trying to stop her from taking everything.’
‘Humph!’ said the woman. By this time I’d climbed out of the skip, but I was standing beside the old pram she was using to carry throwouts – she had some interesting plates in there. Old china, patterned with delicate roses and leaves, each one different from the other.
‘Why are you throwing them away?’ I asked. ‘They aren’t broken.’
‘Who wants a singleton plate – no use to anyone.’ And she made a point of throwing each plate hard into the skip so that it smashed against the sides. The sad sound of a whole thing breaking was more than I could bear. Even Paul looked at me sympathetically.
On the way back to the car we noticed an old suitcase beside the donations bin – inside it was mouldy and full of leaves and insect corpses, but, knowing how much I love old-fashioned ports, Paul went inside and paid $2 for it. That cheered me up a bit.
          ‘She was mean,’ he said in the car. But he wouldn’t drive me to the skip after that, so from then on I had to carry my treasures home on foot.

a page from my sketchbook

This collage began on a houseboat trip in the Hinchinbrook Channel, North Queensland. I took the photo of these mangroves on a small mudbank, and collected the driftwood in the picnic basket, over five gorgeous days with Paul and his family. Mudcrab and fresh fish for dinner, dugong surfacing now and then - a pristine wilderness which we had almost to ourselves. Mangroves have a presence about them, as if they are watching and remembering everything. Their wood is as hard as stone, and their seeds travel all over the world. My favourite trees.

Monday, 11 April 2011

a beautiful wall

Took many photos of the dry stone wall along a path in the botanical gardens, Mount Lofty. One day I'd like to make a quilt based on the subtle range of greens, oranges and browns; the textures of stone, moss and earth.
It's a beautiful place - it reminded me very much of Puncak and Bogor, in the highlands above Jakarta, but without the tea plantations. Amelia walked for over two kilometres, too.

Friday, 8 April 2011

a strange group of people

I had a great week at the op-shops - found bits and pieces of Victorian china, a few books on fashion and dolls, and this photo. Who are these people?! I would love to know.
The photo is a copy of an old original - I was a little disappointed at that, as I prefer the original however faded or scratched, but still, it was only $2.50.
Old photos of strangers are always intriguing, this one particularly so. A touchstone to contemplate and imagine how this group came together, and where, and why.

Sunday, 27 March 2011

Wall Hanging for a Baby

This wall-hanging with pockets was made for a baby in Canada - her grandmother chose a forest theme as winters are so long and cold in Montreal - as my beautiful sister Lizzy knows.
It has twelve pockets, and is hand-appliqued and embroidered. Most of the material is remnant cotton and viscose from a flag-making factory my cousin Alisa worked in for a while. It's a little slippery to work with, but so bright and colourful, and it should be fade-safe, too!





I am being paid $300 for this piece. I'm very happy to take more commissions!

One more time

Please forgive me - I am learning as I go. I hope the image of 'Raft' will appear this time. It was made in Jakarta in 2008, from driftwood and found objects, including antique pony beads dug up from Toowong Creek.

Raft, a piece of wearable art

For some reason the photo didn't appear in the previous posting, so I will try again.

Everything is Junk

I caught the end of a terrifying reality program the other day: people were being 'assisted' in clearing their homes of all their lovingly hoarded junk! Some of them were going to sell bits and pieces of furniture and bric-a-brac so that they could 'see a mental health professional'. Relatives stood by, weeping with relief as the ex-hoarders stood, spiritually naked, in their empty basements. My heart went out to them.
A cool, sunny day in early autumn after a week of rain. The baby is wrapping her dad's dirty sock around her neck and saying 'nice'. Time to put on a wash. I wondered why the house smells of fish and then remembered - I'm cooking up a pot of native grasses and seaweed to make paper.

Thursday, 24 March 2011

Nothing is Junk

The good thing about making artworks from found objects and recycled materials is that inspiration is all around: on the bush track, by the side of the road, in a neighbourhood skip - wherever you go, there's a beautiful feather or artfully twisted piece of wire begging to be picked up and used. The downside is that the amount of fabulous stuff lying around waiting to become art - pebbles, cloth, bones, driftwood, leaves, paper, seashells, doll body-parts, etc etc etc - can become overwhelming. Even with my own shed and art-room (spoiled, aren't I) my junk spills into every other room in the house. In the two years that we've owned the house I've been slowly converting as much as possible into things for us - cushion-covers, garden features, a mobile for the baby's room and one for Mum and Dad - and into artworks for exhibition and/or sale.
The image above is one side of a double-sided screen I made for a family friend - a commission - monoprints of leaves, hair, feathers and lace on various kinds of paper, including washi (Japanese paper, my favourite).
I've been making a lot of my own paper this summer, using native and introduced grasses, plum-tree bark, tiny scraps of silk and any scrap of paper too small for anything else. It's starting to get too cold to make paper now, but I tear up paper scraps all through winter, ready for the next sunny day. Any scrap of material gets cut down into blendable pieces, too. A cupboard-full of torn up paper fermenting in orange-juice containers - lovely.

Tuesday, 22 March 2011

The Porcupine Dream

Today is a cool, rainy day in the Adelaide Hills. Baby Amelia has a slight cold but she went to Grandma and Grandpa's happily. This is my work morning - precious hours in which to work and think uninterrupted.
I dreamt last night that I helped pull porcupine quills out of the hands of a boy who had tried to rescue a wounded porcupine. The porcupine was very strong and struggled madly, but the boy wouldn't let it go, even though he was in a lot of pain. Got the quills out of the boy and the porcupine had to be de-quilled too, in order to be treated - it was going to be okay, but it wasn't happy about being bald. Without quills it looked really cute, like a blonde baby wombat.
A good dream, and it prompted me to look up American Indian medicine bundles on the net. One of the first sites showed photos of Fiona Hall's 'Medicine Bundle for a Non-born Child'. I admire Hall's work very much, but this - a baby's layette crocheted out of shredded coke cans - isn't one of my favourite pieces.
I sent an hour or so playing with my collection of porcupine quills (collected for me by Audrey Kutschke, in Knowlton, Quebec), my bird-bones, perforated shells and carved bone beads, thinking about a more organic kind of medicine bundle. I'll keep you posted!

From an earlier work journal:
I’ve always had precious found objects, ever since I was a little girl. They are talismans. Some were given to me, like the nub of wood from a tree a man was cutting down on Nauru – I still have that piece of wood, which is also a day from my childhood, and a part of Nauru. It is beautiful in itself, with swirling lines all over its salmon-coloured outer surface.
Some I found, like the onyx man’s ring which I can wear now, after keeping it in a cigar box for years (I had it resized to fit my finger). Boxes are also important – reliquaries, treasure-holders, treasures in themselves.
A bird’s claw I kept in a matchbox, grisly and magical.
As a child I believed that some things could be used to work magic – feathers, a christmas light casing, a brass bead – and some of that belief lingers in the artworks I make now. Each one has to be magic – has to call something into being, or make a whole out of broken things.
          On Sumba a rato (animist priest) watched me washing my collection of sea-finds with great interest. I told him jokingly that I was also a follower of marapu (animism) because it was the only way I could explain what the pieces meant to me. He understood, I think.

My beautiful big girl, Miriam, wearing 'The Ancestor of Cats' in 2006 - silk, feathers, mother-of-pearl, cuttlefish beak and cat skull. I don't kill or hurt live animals, but I do collect fallen feathers and quills, and also bones - we have a crow, rabbit and koala decomposing in our compost heap at the moment.

The Reluctant Blogger or Everything is Art

Dear Friends,
Even though 'blog' is probably one of the ugliest words in 21st century English, I've decided to write one, mainly to display (and hopefully sell) my artworks and books. I'll also be keeping a work journal in which I describe my methods and techniques, ideas and inspirations, the journey being at least as interesting as the finished product.
I lost my first post, so I'm keeping this one short - fingers crossed!
I look forward to your comments
Beck